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How to capture the cultured and ref ned glamour of   the school of a master such as Horst P. Horst, after
             creations  that  are  true  masterpieces  of  craftsman-  a debut in the “nomadic” photojournalism among the
             ship. How to show the authentic meaning of clothes   native cultures of Mongolia, Siberia and the Amazon -
             that have hours and hours of painstaking work. How   you start to feel the wonder and you get transported in
             to express the sense of a couture that is a real pas-  a dream world, surreal, full of intriguing patterns that
             sion, grown in the intimacy of hardworking workshops,   combine the romantic aesthetics of a world suspended
             silent guardians of a poetic sense of excellence. Sug-  in time. Visions of a beauty that borders on an artistic
             gestions, feelings, pure emotions that need to be re-  universe staging pictorial atmospheres with a cinema-
             turned without artif ce but with all the soul. Putting it   tic taste, in a perfect balance of saturated colors and
             this way, it shouldn’t surprise then to run into the very   unique textures obtained with a special development
             large format images created by the photographer of   process. “It is the aestetics of Irving Penn, of Fellini, of
             Weisenfels,  Cathleen  Naundorf,  strictly  made  with  a   the Renaissance and the Baroque painting that ispired
             Deardorff or Plaubel camera and on Polaroid f lm. Yet   me when in 2005 I started my series of shots of haute
             observing the shots of the German artist - formed at   couture - says Cathleen Naundorf.






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