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Symbol of Japan and traditional iconic garment, the kimono is revered in the
          Land of the Rising Sun as the embodiment of national culture and is conside-
          red internationally a symbol of timeless exotic charm.


          Among the ref nement of the fabrics, the incredible richness of the details and
          the opulence of the ornaments that special “something to wear” (literal mea-
          ning of the word kimono), is the protagonist at the Victoria & Albert Museum
          in London, until June, 21st , 2020 with an exhibition of 315 garments that
          celebrates its art.
          Considered as an indisputable icon of dynamic fashion, it is one
          of the garments that has changed the most and continues to
          evolve today in time and space.
          Its journey, never concluded, which is explored through
          an exhibition path narrating its sartorial, aesthetic, cul-
          tural and social meaning from 1660 until today both
          in Japan and in the rest of the world, examining how
          fashion and famous designers have reworked its he-
          ritage. From the sophisticated 17th and 18th century
          Kyoto  culture  to  the  creativity  of  contemporary  ca-
          twalks, the kimono is unique in terms of aesthetic rele-
          vance and cultural impact and occupies a fascinating
          place in the history of fashion, revealing its role as a
          constant  and  inexhaustible  source  of  inspiration  for
          stylists. And so together the rare and prestigious an-
          tique kimonos, some owned by the London museum,
          models  designed  by  internationally  renowned  desi-
          gners such as Alexander McQueen, Yves Saint Lau-
          rent, Rei Kawakubo, Jean Paul are also exhibited for
          the f rst time in the UK Gaultier, John Galliano.


          They  range  from  the  drawings  and  sketches  by
          Thom  Browne,  Duro  Olowu  and  Yohji  Yamamoto
          to  cinematographic  and  entertainment  costumes,
          such as the famous kimono worn by Toshirō Mi-
          fune  in  the  f lm  Sanjūrō.  From  the  creations  that
          appeared  in  the  Oscar-winning  f lm  Memoirs  of
          a geisha, passing through the ensemble of Jean
          Paul Gautier sported by Madonna in the video for
          Nothing  Really  Matters.  Paintings,  prints,  f lms
          and accessories are just some of the elements
          present in the exhibition that provide an in-depth
          context as a corollary of the fascinating history of
          style and the inf uence of the kimono in society.








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